Lady Sitting on Bed Painting in Motreal Museum of Fine Art
Big Bang exhibition at Montreal Museum of Fine Arts proves to be fine theory
The new Big Bang exhibition at the Montreal Museum of Fine Arts presents the responses of artists from different disciplines – theatre, music, film, dance, etc. – to works they chose from the museum'south collection.
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MONTREAL - The new Big Blindside exhibition at the Montreal Museum of Fine Arts presents the responses of artists from dissimilar disciplines – theatre, music, motion picture, trip the light fantastic, etc. – to works they chose from the museum'southward drove.
The result is sixteen installations, only a few by visual artists, that are sometimes more successful as theatrical sets than art.
Graphic novelist Michel Rabagliati reacts to Rodin'southward erotic sculpture The Sirens with a delightful series of drawing panels that evoke Tintin. He imagines a young boy encountering a sculpture class working from models posing as the sirens at the museum'southward predecessor, the Art Association of Montreal.
En Masse'southward cadre group of three artists harnessed the talents of more than xxx artists to create black-and-white flooring-to-ceiling murals of graffiti and cartoon-inspired images, filling the exhibition'due south largest gallery with its response to a work by A.R. Penck that echoes Egyptian tomb painting.
Filmmaker Jennifer Alleyn chose a charcoal drawing by her father, Edmund Alleyn, and created an exhibit of 50 of his enigmatic ink and wash drawings – which, like Giorgio Morandi's vases and bottles, plough ordinary objects (article of furniture, in Alleyn's case) into beings with a man presence. Then she recorded vii minutes of Nancy Huston reading an extract from her book, Edmund Alleyn ou le détachement.
"I'chiliad the filmmaker," she said at the opening. "I control the time you lot spend with the images (the length of the audio tape), simply you are the editor. Your movement is the footstep and rhythm of the movie."
Builder Gilles Saucier created a room in which to contemplate Paul-Émile Borduas's blackness and white abstract Composition eleven, and Collectif Rita went past contemplation into restfulness with a room full of low couches that reflect the sinuous forms of Lawren Harris's Morning, Lake Superior.
Renata Morales, a fashion designer, tries to comfort George Segal's lonely sculpture Adult female Sitting on a Bed past surrounding her with cute textiles and objects. Jeannot Painchaud, a circus artist, responds literally, with videos of circus performers, to a Riopelle abstract with the title The Circus.
Denys Arcand and Adad Hannah developed a screenplay around a 1960s sofa, with video screens showing frozen scenes of social interaction that bring to heed Kubrick'south Optics Broad Shut. The room is a gorgeous film set, but what does information technology hateful?
To discover more accessible fine art, check out Art Mûr's 15th-anniversary testify Delight Prevarication to Me. There yous will detect biting social commentary disguised equally blackness sense of humour: Clinton Fein's restaging of the abuses at Abu Ghraib in improved motion picture quality; Jonathan Hobin's photographs of demonic boys playing "planes hitting the twin towers;"
Dina Goldstein's post-happily-ever-afterward Fallen Princesses; Sarah Garzoni's taxidermied hens wearing rabbitskin coats; and Jennifer Minor's religious paintings, like the 1 of Jesus casting out the devil for tempting him with a jar of cookies.
Even meliorate may be Diana Thorneycroft's evocations of Canadian historical events in her People's History serial at Art Mûr. She creates scenes with children's figurines and edifice toys that honour the memory of the poor and the powerless. Her brightly coloured toy tableaux recall terrible events and their victims: a young woman is seen through the window of Hog Farm; 2 religious brothers grin sweetly at a child in View from Mt. Cashel.
Big Bang continues until Jan. 22 at the Montreal Museum of Fine Arts, Jean-Noël Desmarais Pavilion, 1380 Sherbrooke St. Westward. A series of meetings with artists is scheduled – adjacent upward: sculptor Roland Poulin, Th at
vi p.m. For more information, visit mbam.qc.ca.
Please Lie to Me and Diana Thorneycroft: A People's History go on until Dec. 17 at Fine art Mûr, 5826 St. Hubert St. For more details: artmur.com.
Chen Jia Gang, whose photography was included in the Red Flag show of contemporary Chinese art at the MMFA last summertime, is exhibiting abandoned industrial landscapes made ethereal by the ghostly presence of young women. The photographs, on showroom at Han Fine art until Dec. 3, describe a period of recent Chinese history – an industrialization programme in remote western China created by Mao to maintain manufacturing capacity in the events of attacks by the United States and the Soviets.
Millions of Chinese men were forced to get out their families to build and work in these isolated manufactory cities. In the mid-1980s, just before capitalist reforms began, Chen was sent there as a young architect and discovered cities full of depressed and suicidal men. In contempo years he has returned to photograph these at present-abandoned sites, using large-format film cameras that make negatives every bit large as twenty by 24 inches. He shoots just later sunset with exposures of several minutes, adding female models in traditional clothing to bring a heightened luminosity to scenes already saturated in glowing color.
The sites are now a national shame, Chen said at the opening. What'southward left at the sites, he said, are their history; the women in his photographs add a sense of humanity and promise.
The 49-yr-sometime artist founded i of Mainland china's commencement private contemporary fine art galleries and is friends with many of the state's all-time-known artists, including the embattled Ai Weiwei. Chen said they all address political issues in their ain ways.
Chen Jia Gang: Abandoned Fable continues until December. three at Han Art, 4209 Ste. Catherine St. W. For more than information, visit hanartgallery.com.
Roger Guetta specializes in "iPhoneography" – images captured and edited on his iPhone, printed on fragile tea-bag-similar newspaper and then embedded in big sheets of heavy rag paper made by Papeterie St-Armand. Guetta has given workshops in Apple stores and at New York University, said Bettina Forget, director of the Visual Vocalization gallery.
Guetta's art combines cutting-edge engineering science and traditional media that evoke warmth and visceral appointment, she said.
The vernissage for Roger Guetta's exhibition, The Autumn of Dear, is held Saturday from 3 to vi p.m. at the Visual Voice, 372 Ste. Catherine St. West., Suite 421. For more data, visit visualvoicegallery.com
Ianick Raymond, a finalist in this twelvemonth's RBC painting competition, opens a evidence at the Maison de la culture du Plateau Mont Purple, 465 Mont Purple Ave. E., with a vernissage Saturday at 2 p.m. Décomposition, which runs until Dec. iv, exhibits the series of paintings from which Raymond'southward RBC entry was fatigued.
The artist explores the tension betwixt figuration and abstraction in paintings that are structured on a grid. For more information, visit ianickraymond.ca.
Madeleine Mayo explores symbols and images from life and the primordial imagination in Sacred Twang, an exhibition at the Long Booty Gallery, 450 Beaumont Ave. The show opens with a vernissage Sunday at 7 p.chiliad. For more information, visit thelonghaulmontreal.blogspot.com.
john.o.pohl@gmail.com
Source: https://montrealgazette.com/news/big-bang-exhibition-at-montreal-museum-of-fine-arts-proves-to-be-fine-theory
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